All of us may be players on the world stage, still the question remains why we show the psychological responses to the happenings depicted in the fiction, whether in print or visual demonstration, just like in real life? Just like dreams our imaginations get introduced to us on the mental screen as if we had been watching television or movies. And as in dreams the actual world becomes supplanted by the virtual world although we are fully awake. That planet still has perfect resemblance to the actual one and what happening in it appears real as a result of something shifting in our cognition faculty. However, the mechanism which activates our emotional responses remains unchanged and consequently we react to the fiction in precisely the exact same manner as in actual life.
Here we have some similarity with the virtual reality of the modern computer technology, which can be an artificial environment created by applications. It’s presented to the audience in this way that the person temporarily suspends own belief pattern and accepts it as a true environment. In ways it is not different from the phenomenon of being hauled to the imagined world of fiction, except the computer performing the job is in the mind and we have no clue as to what is the applications and who is the developer.
That brings us to the reason for emotional response itself. In regard to fiction the most frequent emotions are likes and dislikes that may become their stronger forms of love and hate. In real life we love or hate someone because of a few attachment through kinship, friendship, or even through indirect knowledge of the person. An individual cannot love or hate a person one does not know at all. Attachment can also be on other living beings, material things, and even to fanciful things. We love or hate a narrative or even an idea. For an ordinary person it’s not possible to live unattached to items in the world. If a person is able to get rid of attachment, one joins the rank of educated souls who are indeed rare. We carry our ability and desire for attachment even into the imaginary world of fiction. We see the characters we come to understand as the narrative progresses, form our likes and dislikes, and react in the identical manner as in real life except that we cannot interact with them physically. But we do interact with them in our heads and hearts from where the emotions come. All right, we have gone over the first couple of points regarding find more, of course you realize they play a significant role. They are by no means all there is to know as you will quickly discover.
They will serve you well, however, in more ways than you know. Once your understanding is more complete, then you will feel more confident about the subject. We are not finished, and there are just a couple of very strong recommendations and tips for you.
The fact is that in a specific sense is fiction. Just like a story it has a beginning, an end, and also lot of stuff in between. We do not know who writes this fiction will ever understand. Thus we have an innate affinity with fiction and cannot completely detach ourselves from it. And maybe that is why, while studying or seeing fiction we get lost in the wonderland of creativity, but for this short period we function exactly in precisely the exact same manner as we want in the actual world of our perception. In that sense fiction is just invented reality.
Theme is the reason fiction things, because it is the quality that gives the story a universal appeal. Some state motif is exactly what the story is all about, but that is too ephemeral a definition, which may get confused with the idea or the storyline.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the narrative forming the narrative’s heart and soul that the exposition, dialogue, and action reflect every opportunity they get.
Theme is not the characters or the plot or the first idea that started the narrative. By way of instance, a writer may start with the idea of exploring family connections between women, but as his story progresses, his subject may appear as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, sometimes without the writer’s understanding of it in the beginning; nonetheless, more experienced writers usually work on their subject more difficult than any other part of the story once they grab on to what it is they’re writing about.
In non-fiction, the author is suggested to hone into his subject and start referring to it right at the first paragraph. In fiction, on the other hand, the motif usually flowers through the writing as the narrative progresses.